UPDATE 3.8.2010: Thumbplay contacted me less than 24 hrs after this post, and got me up and running on my blackbery 9760!
Thumbplay launched its music service this week, joining Mog, Rhapsody, Lala, Spotify, Last FM, and Myspace in the already crowded battle between streaming music services. The monthly subscription is $9.99. This is twice the rate of new entrant “MOG” (and $9.99 more than the free myspace!), but you get mobile access for the extra charge. Factoring in mobile makes Thumplay’s offer cheaper than Rhapaody’s similar desktop and mobile plan.
The selling point of Thumbplay Music is the ability to move your music to the cloud in one click by importing your playlists directly from itunes. It took just a few minutes to import 20 playlists, with 500 songs. The “import” was fast and accurate because it was only checking the data with the “cloud”, not actually moving files.
You can “import” songs to the cloud regardless of where they came from.
The second differentiator is Thumplay’s mobile access. With a full subscription, you can access your music and playlists from a “smartphone”.
Unfortunately the device list is small:
› Continue reading
Myspace music is a fun, easy and free way to create playlists. Yes, there are the familiar flaws in the overall myspace interface, but the music features are getting better, and the fact that myspace has most of the content from major, indie and unsigned Artists, makes it worth exploring as a serious playlist destination. Listening does not require log in (yet) but you must be a member to make a playlist. So dig out that old account and log back in to get started.
ARTIST PROFILES – SURF AND ADD!
The best way to start playlisting is surfing Myspace the way you always have: Profiles. All profiles can now tap into the myspace music player and the player has a “+”button next to most of the songs throughout the site.
Devo inc scores one here – first new song from DEVO In awhile, as performed on the Olympics 2-22. Its beyond good. It’s FRESH!!!
http://www.clubdevo.com – Get the song here!
Plenty of posts and blogs talk about “transparency” in the music business. How Artist’s need to be in direct connection with their fans. Part of the “Conversation”. It’s all buzzwords until it’s real: My continuing adventure with Devo and Devo Inc.
Watch the message, and contribute to the Devo inc color study now!
I love reading the New Tee Vee blog every day and video is an increasingly important aspect of the music business. Think about it – the majority of music is listened to on a device with a screen! I think I was the only music exec at New Tee Vee Live, but it was worth the trip – although the question “is the tv business going the way of the record business?” and the “we wont make the same mistakes as the music biz” quotes were slightly annoying.
So what are the broader trends and how do they apply to music? Here are a few quotes from some of the speakers, and some of the interesting things I heard during the panels.
EVP of Digital Media,
MTVN Entertainment Group
Hits are Hits. Eric explained that hit tv shows have big video numbers online, and shows with lower ratings have lower views. It’s a one to one relationship, and he said there seems to be no erosion in the ratings of popular shows by having them streaming online.
“Don’t underestimate the mass of passive”
Great point and a classic quote. People don’t want to spend tons of time looking around to watch what they want on you tube, torrents and other on demands sites. It’s more that programming for the mass doesn’t meet their needs anymore. If possible, most consumers would rather lean back and just get great programming that was relevant to them, instead of having to seek it out.
Now think of the long tail, radio, and music. Applying Eric’s comment to the much hyped long tail I agree its probably not the “solution”. It’s really about better music, engaging artists, and better programming.
General Manager of NFL Online,
National Football League
The internet turned the niche activity of fantasy football into a main stream pastime, and as a result, grew the audience for the NFL. Laura explained how fantasy football drives demand – now you need to watch all the games! Very clever. The advantage is football is a closed network – to watch all the games in real time you have to pay!
The Roku video player is an on demand video box with over 50,000 titles. Now they are opening their platform to anyone who wants to make a “channel” on their box. Their install base seems low, but is this a chance for someone to make a new type of music service? Seems like the infrastructure and hardware is in place.
Nothing music related here, but I had no idea pbs launched the coolest video sites of all the networks!
SVP of Marketing and Customer Experience,
Redbox offers kiosks in retails stores that rent dvd’s for a dollar. The talk was that some of the studios were upset about the impact of “substitutionally” of redbox rentals on dvd sales.
Substitution for purchase is something we talk about a lot in the music biz, with you tube, piracy, and streaming services such as myspace. Gary denied those claims, and said redbox did research to show there was less that 1% substitution for purchase (of course they did!)
However I loved his quote – “People who buy, buy, people who rent, rent”
Or as we sometimes say “people who buy buy, people who steal steal”
Great day – see you next year!
Get out your mobile phone, and check out the first in a limited edition series of QR code pieces we made for Green Day’s new album 21st Century Breakdown, in stores FRIDAY MAY 15th!
This is the start of several QR code experiments were trying and you can find the Green Day Codes out and about in the US in the next few days. Thanks to David Harper at Delivr for masking this happen! You’ll need a QR code reader for your phone to try this – get a reader in the iphone app store (neo reader is a good free one), if you have a nokia phone, you probably already have a reader in your appp folder, or go here to get one for most other devices!
Capturing Some important concepts from the discussion, presentations, and panels at DME 2009.
1.) Music in the Background – increasingly music is a background activity (while surfing, while playing video games). Online activity and music fuse into a “new” “combo” state of mind between communication and music. Important to understand this context.
2.) Hard Drives are filling up? Russ Crupnic from NPD floated that some stats may indicate people are loaded up with more music than they can handle on their computers and devices. If Hard drives and devices get full, watch the change in acquisition behavior. I think this was the first i’d heard people discussing the reality of this concept in 2009.
3.) Power of Radio – still massive motivator of top downloads and social net discussion of music. Shows up as top source fro music discovery in many demos. Traditional radios power is a reminder that no matter where you are in digital music, online strategy must take into consideration all media. Online radio’s untapped potential – people like radio as a medium if done right. Explosive growth could be starting.
4.) “It’s a fact of life: If your business model depends on controlling or getting paid for copies of zeros and ones, you may need to look at a new business model” (Jim Griffin).
5.) Sometimes when it comes to music, you just have to get lucky in the studio (Richard Gottehrer, CEO of the orchard digital service, and a songwriter whose hits included “My. Boyfriend’s Back”)
If you twitter search Digital Music East, you’ll get a good sense of what everyone else there was thinking!
Ted Cohen’s intro was brief but accurate, and the presentations were all interesting.
My panel “The State of the Digital Union” was after the first hour intro. The twiiter feed from the audience was streaming behind us, and I made sure to watch it a few times during the panel. Problem was no ATT service at all in the room, so I couldn’t participate later on.
Hyebot posts a recap of the panel and my Metalica example – some liked it some didn’t!
Ill be speaking at the “state of the digital union” panel at Digital Music East next week. The site says “This panel of industry experts will discuss the hot button issues of day, including the debate over digital music pricing, online and mobile music product offerings and business models….”. Thats the agenda – curious to know any topics you’d like to hear discussed?
As I’m cleaning up and getting ready to go back to work, I’m using Metacritics year end top lists and listening to 2008 one more time!
Metacritic seems to have it all in one place, their own reviews, and many top year end lists from other mags and sites!
Their year end best of lists also go all the back to 2001 which is fun to explore
A few other year end lists that make it easy:
Imeem 08 playlist (log in required – but worth creating an account once)
top 20 albums of ’08 at Bands Under The Radar
Kami has great taste and after hours on Metacritic, I still found a few new things on her list that were amazing!
One of my Favorite “New” Marketing blogs “Big Picture Advertising” featured a great quote from Barry Diller.
Challenge for 2009
“You really want to get a headache? Try to understand Internet advertising. Social networking advertising is being discounted because there is so much inventory [of available ad spots], and because methods have not yet been found to make it very effective. Will that get figured out? I absolutely believe it will. What form will it take? Absolutely unknown.”
Social media is great for music discovery, community, and a natural buzz amplifier. But BUYING social media advertising has not moved the mark in any accountable way for me – from driving sales to increasign traffic, I havent found anything that is cost effective. It seems being a great band, getting radio airplay, community engagemnt, and touring drive more results through social media than advertising. I’ve bought facebook, myspace, widgets, and more in many differnent ways, and never get the return. Warner Bros Reocrds also gets add inventory in several social network sites as part of our liscensing deals, so I get to play around alot. Maybe Big Picture Advertising will figure out some magic!
I've been working with Youtube and developing short from content since 2006, when I helped broker YouTube's first idea ever with Warner Music Group (pre Google), all the way up to playing a major role in Disney's Acquisition of Maker in 2014. I love combining data, technology and creativity. Throw in a quick culture detour as Chief Digital Officer for Revolt TV.
I'm passionate about the power of influencers, and consider myself lucky to have worked with some of the most amazing and forward thinking talent in the world. I'm a musician, creator, and tech enthusiast and I enjoy sharing and discussing my expereinces.
From SVP of Marketing at Maker Studios, and SVP of Digital Marketing and strategy at Warner Bros Records. I've put new ideas into motion with artists and technology for the last 15 years.
I'll be blogging about some of my projects, ideas, and attempts to launch new experiences.
15" macbook pro retina, Hex core mac pro for multitrack audio, Intel Imac
Cubase, Reason, Battery, Kontack
Iphone 6 128gb, ipad air HTC ONE
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